- Directed by: Robert Gordon
- Written by: George Worthing Yates, Harold Jacob Smith
- Stars: Kenneth Tobey, Faith Domergue, Donald Curtis
- Run Time: 1 hour, 19 Minutes
- Watch it: https://www.youtube.com/watch?v=C_ePizk7W_c
Spoiler-Free Judgment Zone
The “It” is a gigantic octopus (or sixopus if you look closely – the budget was tight). The military and lab stuff is all realistic looking because it was the real thing, mostly. The puppetry, miniatures, and rear screen use are pretty obvious but they get the job done. The original was black and white, but it’s since been colorized. It’s a fun creature feature of the 1950s, worthy of being called a classic of its time.
Spoilery Synopsis
We get a military voiceover talking about the new submarines. The human mind had thought of everything… except that which was beyond his comprehension… Credits roll.
We are shown the wonders of the periscope. Commander Matthews talks to another officer, Griff, about how impressive the ship is. Suddenly, something big shows up on the sonar that might be following them. They accelerate, but the thing is gaining on them. It bumps the ship from behind as it catches up. Also, there’s a radiation warning, but it’s not coming from their engine. They finally manage to escape whatever it is and head to dry-dock for repairs.
The men find something strange stuck in the rudder, and the scientists had to analyze it. Dr. John Carter and Professor Lesley Joyce, two marine biologists, explain that what they brought in was just a small piece of a much larger creature. Mathews likes Joyce and makes that abundantly clear.
The scientists work for a couple of weeks and then report that the creature is an octopus, albeit a giant one, that lived on the bottom of the ocean until H-Bombs stirred up the ocean floor and irradiated it. It can no longer eat fish, so it may be hunting for a higher form of life, maybe even man. The heads of the military don’t seem impressed or believe that the problem is a giant octopus.
We cut to a cargo ship out in the ocean, and they spot a huge tentacle outside the ship. It pulls the whole ship down. Carter and Joyce are finished with the military and ready to move on to their next project, but Mathews isn’t going to give her up that easily. The admiral revokes their transfer and requires them all stay– they know about the cargo ship that went down. The survivors tell the story, and it’s still a little hard to believe. The military heads still aren’t convinced. The survivor recants his tales, and Joyce goes to meet with him before he’s released. She’s smooth and crafty about getting the sailor to tell about what he saw.
The military shuts down all shipping in the Pacific as they hunt for the monster. Joyce warns that they might be able to kill the thing once they do find it. The main characters all split up to run down a few leads as they hunt for the octopus.
They soon find a wrecked car, a missing family, and odd circles in the sand on a beach. That must be the place! Instead of investigating, Mathews and Joyce are soon making out on the beach. They soon get an actual sighting.
The Navy plans to trap the creature in San Francisco Bay. Carter talks about the need to destroy the creature’s brain; they have a special weapon for the job– a jet-propelled torpedo. Joyce explains that this kind of thing has happened in the past.
The creature makes another appearance, and they attack it with depth charges and electricity. This only manages to anger it, and it climbs up onto the Golden Gate Bridge. Carter has to drive out to the middle of the bridge to turn off the electricity. Mathew and Joyce soon follow to pick him up. The trio barely make it off the bridge before the monster crushes it. The octopus eventually gives up and goes back into the water and vanishes.
The monster soon reappears at the ferry terminal, where there are a lot of people still around. As it starts to pull itself up onto land, Mathews and his submarine approach. They dive and prepare torpedoes, but the harbor is pretty crowded, so it’s gonna take some luck. They embed a torpedo into it, but then it grabs and holds onto the sub.
Mathews himself puts on Scuba equipment to blast the sub loose with explosives. It doesn’t work, so Carter tries next; he shoots it in the eye, which really gets its attention. Griff orders that the torpedo be detonated, and the octopus blows up. Carter and Mathews are picked up, alive, not long after.
Mathews wants Joyce to marry him, but she’s argumentative and wants to write a book instead.
Brian’s Commentary
Could Mathews be any more inappropriate with Joyce if he tried? He’d be up on charges for coming on that strong today. It’s the 50’s, where “No” always means “Yes.”
The filmmakers had access to a lot of military sets and equipment, probably all leftover from the war, and they weren’t afraid to incorporate them into making the film seem more realistic.
The monster is one of Ray Harryhausen’s stop-motion creations, and it’s really well done. It crushes ships, the Golden Gate, and various buildings near the ferry port. It’s not much compared to modern effects, but for the time, this was all groundbreaking stuff.
Brian’s Rating: ***
Kevin’s Commentary
The interior submarine scenes were really filmed in a submarine. How cool is that?
What’s worse than a gigantic angry octopus? A radioactive gigantic angry octopus.
It’s strange to think that everyone on the screen is seventy years older than they were when this was released.
It’s very 1950s in sexual and social attitudes, culture, and technology, which I thought added to the fun. It seems to take a long time to get to showing the creature, but we do finally get a payoff.
Kevin’s Rating: ****
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